My Wishbass looks like an amoeba.
See. Told ya. 😉
As you can see by the pic on the left, my particular Wishbass is quite… well, different is one way to start the discussion.
Luckily, it doesn’t sound as peculiar as it looks.
I’ve named this unusual bass “Meeb“. Seemed fitting somehow…
So for those of you unacquainted with the Wishbass company, let’s expand our brains a bit, shall we?!
Did you get to investigate amoebas in high school Biology like I did? Such weird, amorphous-looking creatures… so bizarre-looking!
I remember watching one in the little slide of liquid we were given. It was changing its shape at whim – twisting, turning, morphing, moving like bad-joojoo-Jello come to life. It was kinda fascinating, until…
… I watched it eat. Ohhhh…. the horror!!
It came upon an unsuspecting paramecium. Out crept it’s surreptitious arm-like psuedopods… slowly starting to envelop the leisurely critter without a sound.
Within seconds, the paramecium too late recognized the threat! It started to swim around fast and frenetic, slamming in panicked circles against its foe!! But the rubber arms of the “Mrs. Incredible” of single-celled organisms only tightened the embrace.
There was no way out. The “bubble of death” was complete.
The morphed mouth smothered.
The digestive enzymes invaded.
Then all was still… in the vacuole of death!!!
Funny, but when I first saw my Wishbass in pictures in an ad on Craigslist, all those moving amoeba memories came flooding back in to my conscious thought. It didn’t come across quite as grisly as that hungry amoeba in high school though.
Like lunch-luscious parameciums to an amoeba’s survival instinct… I knew when I saw this bass that it had to be mine!! It was the only way to escape the vacuole of G.A.S. that had enveloped my brain!
My Debt’s Less For Fretless!
But it was also the COST listed in the ad that made me jump like Eddie Van Halen during the “1984” tour! It was listed for $150! Now, I’d been in the market for a fretless for some years, and this price was… well, a little to low to believe.
But I had to check it out. So, I went over to the guy’s pad and played it through his amp. Wow. Weird shape, but FULL sound. No buzzing, short-outs or pot crackle at all. Just solid bass whomp.
I was sold!
Of course, I talked him down to $130, ‘cuz… ya know… that’s just whatcha do, right?! lol
The only info on the bass was the label that you see in the picture to the right. Jumping on the Internet, I soon discovered that the Wishbass company was down in North Carolina, and looked to be a one-man operation.
I shot an email and picture of my bass off to the company, hoping to get some facts about it, learn about the company and, really, just kind of ask, “What were you THINKING??!”
Within a day (impressive response time!), I received this insightful reply:
“Hi, Teaj. That bass is called the “Kewel”. #749m. It’s some oddly variant bass made out of maple wood.
Here are the specs:
- Body: Maple on Ash
- Neck: Maple
- Fretboard: Persimmon
- 1 Volume knob
- 1 Kent Armstrong soapbar pickup
- Production: Sold on eBay on 5-9-07.
That was a good design – comfortable.
It was hard to ship though, and wasteful of wood.
The Whacked Master of Wish
So that was my first encounter with the wizard behind my head-turning bass. He’s the one daring design dude behind all the quirky, morphing bass bodies that come out of the Wishbass shop. His name: Stephen Wishnevsky.
In researching him and his company further, I’ve come to think of him as a cross between Uncle Si of “Duck Dynasty” and “Doc Brown” from “Back to the Future” – a curious, tinkering, jokester of a cuss that just can’t stop tryin’ different woods, electronics and hardware together in unexpected and, sometimes, outlandish combinations.
He started Wishbass.com in 2001. His business model there was to make inexpensive fretless electric bass guitars for working musicians. Guess he saw the need for good, solid, usable tone at a low price, for those among us gigging for peanuts
Before that, though, he had quite an apprentice era learning this craft. He studied with the Ovation company, as well as several other well-respected luthiers, to gather the skills needed to open his own shop.
These days he’s moved on beyond Wishbass, and now you can find him making all kinds of stringed instruments that, again, buck the trends of current accepted instrument design. Guitars, harps, mandolins, resonators and mixed hybrids you can now find on THIS WEBSITE.
Steve approaches instrument making with the same basic premise in mind: to keep them affordable by providing the basics that you need, with no frills, and maximizing the wood-to-strings relationship for tonal and response excellence. Here’s how he puts it:
“Our basses are designed to maximize the acoustic coupling between the strings and the neck/body wood.
This produces a fine woody tone and lots of sustain.
Our basses minimize the metal and electronics in between your hands and the amplifier, letting you control your tones instinctively, instantly, organically.”
I’d have to say that from what I hear of my own Wishbass axe, he’s hit the nail on the headstock.
In February 2015 the Wishbass shop burned to the ground. Everything he had in the shop was destroyed… and even his TRUCK! Investigators concluded that it was a loose pipe or flue from a wood stove that caused the fire.
How awful. It goes without saying that it hit him financially, but it was worse than usual: The flames engulfed thirty guitars that he just handmade and was going to sell, AND he was, unfortunately, UNinsured. Because he made his instruments in the garage-turned-shop on his personal property, he couldn’t insure the business, since personal real estate is zoned for residential, not business.
Not the legalese you want to hear when you’ve just witnessed your business go up in flames, I’m sure!
And just think about all the other stuff he lost that had sentimental value. He’d created instruments in that shop for over 20 years! He found, for example, in the ashes the twisted remains of his dad’s old toolbox that he used to store tools. Things like that are just irreplaceable.
It really makes ya feel for the guy.
Steve has bounced back from this tragedy though. In typical Steve “forge ahead” fashion, he said, “I got no time for angst. That’s always been my motto. You can do anything if you don’t angst about it.”
Steve is once again up and running, having opened a workshop in the basement of a former furniture warehouse in downtown Salem, North Carolina.
Best of luck in your new digs, Steve! May hundreds more instruments find life through your hands!
The “Not-Yet-Ready-4-Prime-Time” Instruments
Not everyone is a fan of Steve’s work though. You can find plenty of naysayers about Wishbass basses. But then, the products of any instrument manufacturer is put down by somebody.
One thing that is true of standard Wishbasses though is this: they have no truss rod in the neck.
For some, having no truss rod is unacceptable. Me personally?? I’ve never had a problem with my Wishbass neck. It’s been consistent and straight with no changes for years.
Here’s what Steve says about the whole truss rod thing:
“Let’s get the standard questions out of the way:
Yes, the neck is kind of fat.
No, there is no truss rod.
There is one reason for both of these quirks – I am convinced that putting metal in a guitar neck hurts the sound.
If you think I am wrong, buy something else!”
As you can tell, this is a guy that knows what his business stands for, and unapologetically adheres to the mission!
Is it true that some Wishbasses have come to customers with some “rough edges”, compared to high-end and well-known guitar manufacturers? Yep.
But, again, consider what you get for the price point. A Wishbass may need some “finessing” to get it to your liking after purchase, but it’s always going to arrive sounding good from the get-go. Steve says he wants the instruments he makes to sound good, not necessarily look perfect.
Some Wishbass customers online say they’ve had to replace, refine or recarve some piece of their bass after they bought it from Steve to get it to look like they want. Okay. Personal preference. But the sound you get makes up for what’s lacking in fashion.
Here are some things customers have mentioned online that they’ve changed after getting a Wishbass:
- Body contouring
- Bridge intonation
- Fretboard radius
- Neck thickness
- Finishing coat application
Interestingly, the customers that DID change these things still appear to be fans of Steve and often buy multiple basses from him. It’s like they realize that Wishbass gives them a good starting product, tho’ imperfect some of the time, for a price that’s just… well, stupid cheap.
In other words, when you’ve saved so much money on an instrument you can afford to shore up a few niggling shortcomings here and there, or add bells & whistles if you want.
I get the sense from Steve that he’s really more into exploration, forging new ground and making something new than being too particular about visual Q.C., so I’m not surprised that these issues come up from time to time.
This lines up with Steve’s M.O. – “I make affordable string instruments for the working musician.” He usually, for example, puts very little coating or lacquer on the wood at all. Sometimes none! Why not? Because it’s not necessary to get good TONE.
Also, you won’t find his instruments in the big box music store catalogs. Why? It helps keep costs down, the savings of which he can then pass along… to you.
Though I haven’t actually gone down and met Steve in North Carolina, the Internet shows that he spends a lot of time probing the boundaries of potential in his instrument making. Take, for example, THIS VIDEO. It shows just how interested and curious Steve is about expanding the possibilities in the marriage of music and electronics.
Now, I bet most luthiers who have been making instruments for more than 5 or 10 years are probably way more interested in making more products, to make more money, than investigating further how to make “a better mousetrap”. I give him kudos for maintaining a healthy inquisitiveness in the face of market pressures that say “just roll with what works and grab the cash!”
Let the Amoeba Music Begin…
I did a little recording for you of me messin’ around on ‘Meeb. It’ll give you good insight as to why I like it, and how solid of a sound it produces.
I recorded with one mic pointed at my Ampeg cab. Amp was my Bugera Veyron T. Didn’t have it up very loud. About halfway.
In playing this bass again for a few hours, I have to mention just how comfortable it is. The way Steve made the body it rests perfectly on my leg, and because the body isn’t too thin, like, say, a Stratocaster, my leg didn’t mind it being there for hours. Very easy to play and, though it admittedly looks strange, this bass is ergonomically the bomb!
Enjoy this glimpse into my ‘Meeb world!
When You Wish Upon A Bass…
Steve’s instruments aren’t for everybody. Some say they’re ugly. Some call ’em “unfinished”. Some label ’em sub-par. Others say they’re bizarre.
For those of us that play a Wishbass, however, we find them to be solid, dependable basses with deep, woody voice, admittedly basic, but full of great tone and substantial sustain.
For me, the tone and response I get from my fretless Wishbass is great. I haven’t had to change the bridge for intonation problems. I haven’t had to sand down any parts of the neck to get the radius consistent. I haven’t needed to change anything… ‘cuz it’s a solid workhorse as is.
Yes, it only has one sound. But that sound is solid and exemplary. Just what I need in the studio when a fretless bass part is needed. It records wonderfully.
And yes, it looks totally bizarre. But when I’m recording, that doesn’t matter. If the tracks sound good, I’m happy. And so far… Meeb gives me everything I need!
Wishing for an inexpensive way to get into a big-bottom bass?? Try Steve’s instruments. If their unique look isn’t your thing, that’s fine. Not all art speaks to everybody. But if you DO try one of these handmade, one-of-a-kind instruments, you just might end up a groovin’, satisfied customer.
Now, go… make… sounds!!